Irene Chan is one of these people. We actually met for the first time over two years ago when we were both in an exhibition at Montpelier Art Center, and we carpooled to the opening. Time past, and we lost touch, but have recently reconnected. We try to meet up once a month and talk about art, go see plays, or just hang out and drink tea. Irene's pieces are smart, sometimes humorous, well crafted, and very provocative.
One of her particularly powerful pieces to me is a piece called YELLOWSKIN BRACELET.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfLq48DFDr96LuUe5PFRnu9rawYN2YqxMPtMfE4ZrUTtDE6JuLHdtJ_a0u0a4-pstE6fVk5ufDykcUCsaSYYCodkBDv5izff_mwCfeW0UlB17T29uc6CTpCtH54DC0CdMKKkOfz2D0_JBF/s200/piece.jpg)
Here is another in-progress piece that I'm particularly fond of:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBKWLHvHYMsiYBPPis4iiimxTq_BI1_H3uRGwpCRq6GA4XNnryngl5iQDj4O7Rofd-X7RlqjYkldmVNzoap504H8q4rMHJiSyBSvJGgjsRiWFI2H6UKtl1TMUXL4-MNOsoJgpO5kBNgszO/s200/lookjustlike.jpg)
she will flip a flexagon book of Asian portraits that people say she “looks just like …”
To see more of Irene's work, go here
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